Illusionary Art Land (幻遊藝境) – Pepper’s Ghost Holographic Projection Science Kit

The Science-Kit Design project as part of the art STEAM education courses for elementary school students under the framework of “New Taipei City Art Museum’s Annual Art STEAM teaching plan development 2021”
(2021 – 2022)
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The “New Taipei City Art Museum’s Annual Art STEAM Teaching Plan Development 2021” is a framework of educational promotion and course plans as an annual program of the New Taipei City Museum of Art organized by Hide & Seek Audiovisual Art. Under the framework, artists and teachers were invited and matched to develop art STEAM (Science, Technology, Engineering, Art, Math) teaching course plans with art as the core that is suitable for students at different education stages, combining multiple cross-domain, design thinking, hands-on operation and improve the problem-solving skills.

In the 2021 Art Steam annual program, “Wawies” Wisnu Wisdantio works as a co-artist for Yang Ching-wen (Club Bing Beng) who work together with Wang Lu-Yu and Fang Ya-Ling as teachers to develop the art STEAM course “Illusionary Art Land (幻遊藝境)” for students at Tur Ya Kar Elementary & Junior High School (桃子腳國中小) from October 2021 to February 2022. The course focuses on the importance of technology as a crucial part of children’s education and emphasises the idea of making the students more familiar with technology, learning how it works, and eventually working with it rather than simply engaging it as a user.

Source: STEAM Lesson Planning Project 2021 Webpage

Within The Illusionary Art Land (幻遊藝境) course, Yang Ching-wen has an opportunity to work with art class students at Tur Ya Kar Elementary & Junior High School (桃子腳國中小) and represents how an illusion technique can be utilised to create a “holographic ghostly image projection”. It’s an ancient mechanism based on natural physics that was revived by British scientist Henry Dircks and popularized by John Henry Pepper who implemented it into a theatre performance of Charles Dickens’s “The Haunted Man” in 1862. Until recently, the technique called Pepper’s Ghost Illusion has been adopted and developed into various forms of sophisticated technology as part of modern performing arts. At the first step of the course, students had an opportunity to learn the basic principles of projection works and explore how to re-engineer a simple pyramid plexiglass to transform an image or animation from their smartphone into an optical illusion technique called “Pepper’s Ghost illusion” or even play with light to enact their own ghostly characters.

Documentation by Wang Lu-Yu and Fang Ya-Ling

Meanwhile, teacher Lu-yu and teacher Ya-ling work together in the course to guide the students to create their own ghostly characters through their toys or various objects. When most of the time those things are only alive within the student’s imagination, with the help of affordable devices such as smartphones or tablet computers that are easily accessible to students in their daily lives, the students have an opportunity to explore and bring their imagination into reality as if those characters can really move or alive. Where they learn how to make a simple animation from their toys with the Stop Motion technique, it is a technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. In the end, through this process, the students can create their own character animation based on their own stories or imagination to be displayed virtually with Pepper’s ghost installation and presented within a small exhibition at their school.

Documentation by Wang Lu-Yu and Fang Ya-Ling

In order to support the art STEAM course “Illusionary Art Land,” which focuses on teaching students how technology works and how to work with it, “Wawies” Wisnu participates in developing a customized design for Pepper’s Ghost installation. Instead of presenting it as a fixed or ready-to-use installation, he designed the V.01.4 model in a knock-down kit, a simplified version of the Do-It-Yourself installation that can be assembled by the student during the course and dismantled back after use. As a science kit, this model is expected to be suitable to be built by students at different education stages whether individually or in-group and enrich their exploration process with experiences in design thinking, hands-on operation, and improving their problem-solving skills.

The Pepper’s Ghost V.01.4 Projector Design And The Assembling Booklet

 

Documentation by Wang Lu-Yu and Fang Ya-Ling

Eventually, the students were divided into several working groups and finished building their own V.01.4 projector guided by the step-by-step assembly instructions, they stepped into the final part of The Illusionary Art Land (幻遊藝境) course. Each student group used the projector to convert their “Stop-Motion” artwork video into a holographic character and present it to their friends in a small exhibition within the Tur Ya Kar Elementary & Junior High School (桃子腳國中小).

“Illusionary Art Land” (幻遊藝境) Exhibition Documentation
courtesy of Tur Ya Kar Elementary & Junior High School (桃子腳國中小) teachers Documentation

 

Research And Development Documentation:
* The Pepper’s Ghost V.01.4 Science Kit Projector Development Documentation

Reference Site:
* Details of “New Taipei City Art Museum’s Annual Art STEAM Teaching Plan Development 2021” On New Taipei City Art Museum’s official website.
* Details of Hide & Seek Audiovisual Art official website.
* Details of Club Bing Beng on the Facebook page.
* Details of Tur Ya Kar Elementary & Junior High School (桃子腳國中小) official website.

 

Go-Circle

The 360-Degree Panohead Prototype as the Do-It-Yourself (DIY) Photography tool
(2016)
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Go-Circle is a prototype of The Do-It-Yourself (DIY) 360-Degree Panohead developed by “Wawies” Wisnu Wisdantio [Lifepatch] and Stefanus Kushartanto [St. Joseph – The Carpenter]. Produced limited as a kit for Workshop – GoCircle: How To Make DIY 360-Degree Picture in ICC Gallery, Tokyo, November 13rd, 2016. Also displayed in The Collaboration Project ‘‘Media Conscious in Asia” : Lifepatch ‘Rumah dan Halaman’, which is an exhibition organised by Japan Foundation Asia Center and NTT InterCommunication Center (ICC) at ICC Gallery B5, Tokyo Opera City Tower, Shinjuku-ku, Tokyo.

The 360-degree picture is a spherical image that recording the photographer surrounding areas in only one image. Nowadays, it’s become very popular and easy to create by everyone only with the help of a particular app on a Smartphone or PDA. Before it became very popular, The 360-degree picture is very hard to make and need complicated process, especially when using a Pocket camera, Digital Camera, or an analog camera. Basically, producing a 360-degree picture only need to make serial pictures about 45-50 pictures from each spot location and then stitching all together. However, the tricky part is maintaining the point of view in exact same spot. If not, there will be a parallax between each picture point of view and made the serial picture very hard to be stitched each other. In order to reduce the parallax point, there is a particular tool as camera’s tripod addition called The Panohead that have to attach between camera and tripod. More than that, the photography tools tends to be very expensive and made not many people could afford or use it.

The rivers in Jogjakarta have significant historical, economic, and social importance. However, not many people in this city aware of those rivers’ importance. It’s only known as the backyard of the city, neglected, and rarely touched.

Triggered by the curiosity of some people who never visited those rivers, a walking trip through the river banks became an embryo of a long-term river environmental monitoring project called Jogja River Project that conducted by Lifepatch.id since 2012, with the idea to share all the knowledge that they found from the river as an open-source knowledge which can be easily understood by everyone. Part of it is making interactive documentation through 360-degree pictures that took from the river center in order to make anyone who saw it can feel how it’s like when they are in the middle of the river.

Facing a situation when the photographic equipment is expensive objects, brought me as a member of Lifepatch to make an experiment of making our own Panohead Tool, which is much cheaper and affordable. From 2013, the research conducted on a “trial and error” process based on the development of my knowledge that influenced by various sources, which is made me collecting several designs as results of the research that still evolving. The most recent design is made with an adjustment mechanism so it can be used with different types of cameras and tripods.


Undeniable, most people still thinking of making a 360-degree Panohead and a 360-degree picture still remains an activity that is not easy to do. Basically, the essential idea of making the Do-It-Yourself (DIY) photography tool is trying to decrease the gap between technology and its users through examination, exploration, research, and development. Within the Do-It-Yourself (DIY) ethos is a practice in order to stimulate new systems and styles of living and working that develop out of the creative process of individuals.

Beside of becoming part of The river monitoring project, The DIY 360-degree Panohead are also introduced to various community and children in schools as an educational project. The design and schematic of the DIY 360-degree Panohead are open sources and available at the public online with a creative commons license. Within  The Collaboration Project ‘‘Media Conscious in Asia”: Lifepatch ‘Rumah dan Halaman’, The DIY 360-degree Panohead was produced as a workshop kit on Workshop – GoCircle: How To Make DIY 360-Degree Picture in ICC Gallery, Tokyo, November 13rd, 2016.

Reference Site:
* Detail of The DIY 360-degree Panohead Research Documentation
* Details of the workshop and The description of Collaboration Project ‘‘Media Conscious in Asia”: Lifepatch ‘Rumah dan Halaman’ on lifepatch.org
* Collaboration Project ‘‘Media Conscious in Asia”: Lifepatch ‘Rumah dan Halaman’ on NTT Inter Communication Center [ICC] official website

Go-Circle: How To Make DIY 360-Degree Picture – Workshop at NTT InterCommunication Center [ICC] Tokyo

DIY 360-Degree Panohead Photography tool Public Workshop
(2014)
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open-space-2016-media-conscious-poster

GoCircle: How To Make DIY 360-Degree Picture is a workshop as part of the Lifepatch Exhibition on Collaboration Project ‘‘Media Conscious in Asia”: Lifepatch ‘Rumah dan Halaman’ that was held on Nov 1st of 2016 until March 12 of 2017 at NTT InterCommunication Center [ICC] Tokyo. It’s a collaboration project between Lifepatch, Japan Foundation Asia Center, and NTT InterCommunication Center [ICC]. The workshop itself was held on Nov 13 of 2016 at ICC Gallery B5.

The workshop was talking about how to make simple DIY (Do It Yourself) 360-degree Panohead tripod and making panorama pictures with the Panohead tool. Nowadays, 360-degree photos as a spherical image of the photographer surrounding area became popular and easy to create with the help of a particular app on a Smartphone or PDA. But on the contrary, 360-degree hardware for Camera is expensive and not everyone can afford it. In this workshop, we will learn basic knowledge of 360-degree pictures, how to make the DIY 360-degree Tripod Panohead tools that affordable, and finally learn to produce serial pictures as basic material to make a 360-degree image. In this workshop, we will need a DIY Panohead kit, tripod, and various types of cameras, such as Pocket camera, Prosumer camera, DSLR.

Within the workshop on The Collaboration Project “Media Conscious’ in Asia”, I was part of Lifepatch make a small collaboration with “St. Joseph – The Carpenter” to built The DIY 360-Degree Panohead Kit, which is a Panohead that build limited that build based on the concept design of Panohead V.02B. Manufactured based on wood as the main material, this hardware version was made to support some from many types of cameras, such as Pocket Camera or DSLR. Besides that, it also could be attached to various types of tripods.

Reference Site:
* Details of the workshop and The description of Collaboration Project ‘‘Media Conscious in Asia”: Lifepatch ‘Rumah dan Halaman’ on lifepatch.org
* Collaboration Project ‘‘Media Conscious in Asia”: Lifepatch ‘Rumah dan Halaman’ on NTT InterCommunication Center [ICC] official website

Workshop of Camera Anatomy and how it works

Community Workshop Of Camera Anatomy
(2013)
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Poster_Workshop_Pengenalan_Anatomi_dan_Cara_Kerja_Kamera

A small workshop about camera anatomy and how it works that was held with Lifepatch on 2 June 2013. This open and free charge workshop discussed the camera elements and how it works as a photography basic learning.

All the participant learning every part of the camera anatomy, such as cameras body and lens introduction. Also learn how to use ISO, shutter speed, and camera aperture to capture any visual information through photography.

Reference Site:

* details of workshop description on lifepatch.id

 

Landscape Photography Workshop – The Light Of Suro III 2012, Ponorogo

Public Presentation And Small Workshop Of Landscape Photography
(2012)
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Ponorogo - 01

The Light Of Suro is an annual event that arranges by several photographic communities in Ponorogo, East Jawa. The name of Suro itself represents that the event is held at the same time with The Satu Suro Celebration, New Year eve at The Hijriah calendar.

The Satu Suro is the biggest ceremonial day in Ponorogo that usually being held 7 days in a row. Landscape Indonesia had been honoured to be one of many communities that invited to be a lecturer in one of many workshops in The Light of Suro III – 2012 workshops series. This event conduct on 3 days in a row, Landscape Indonesia was becoming a lecturer about the introduction of landscape photography for beginners.

For more detail information and documentation about the event: